Sunday, May 25, 2008

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All five of Tyler Perry's movies have wound up as big money-makers, but they have generally received cool-to-lukewarm reviews from critics (which is undoubtedly why his latest film, The Family That Preys received no advance press screening). The new Perry film, is an exception, however, garnering quite a number of positive reviews. Indeed, Bob Baker constructs his review of the film in today's (Monday) Los Angeles Times as a memo to Perry, writing, "Dude, what made you refuse to screen your film for critics before it opened Friday? I'm betting you would have received an earful of praise for your writing and directing." Carrie Rickey in the Philadelphia Inquirer is one of those shouting her praise. "Defiantly old-school, undeniably entertaining, Tyler Perry's The Family That Preys is a shiny, two-timing throwback to 1950s melodramas like Giant, those wellsprings of such prime-time soaps as Dallas and Dynasty. The writer/director/actor ... whips up the suds with the best of 'em," Rickey writes. Roger Moore's review in the Orlando Sentinel includes much criticism of the plot; nevertheless, he observes that the movie marks Perry's "most cinematically polished production to date, [showing] grand advances in [his] filmmaking education." Still, there are plenty of naysayers, as well. Stephen Holden in the New York Times writes that suds "cascade" through "this crude interracial fable." And Ty Burr in the Boston Globe comments that Perry has served up "a plate of leftovers, a bland, baldly written melodrama."


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Saturday, May 24, 2008

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Director Siva like his mentor K Balachander has made a bold attempt in making a movie like Dhanam. Dhanam talks about two raging issues in the society including prostitution and superstition.

Dhanam played by Sangeetha is forced into prostitution. In spite of leading a life which is very difficult, Dhanam helps the poor and indigent with the money earned by her. At this stage one Anantharaman (Prem) from an orthodox Brahmin family decides to marry her. Dhanam reciprocates but on the condition that the family should accept the wedding. As expected, the Brahmin family opposes the marriage but when an astrologer Vedagiri (Kotta Sreenivasa Rao) predicts that the family would become rich if they accept Dhanam. But the astrologer had said this with an evil motive to woo Dhanam.

Dhanam gives birth to a child and she problem crops up. She is again compelled to get into her old profession. What happens to Dhanam, her husband and her child? is told in the climax.

Though director Siva has made a bold attempt to make a film like this, he fails at many places. Most of the instances seem unnatural.

The film has huge star casts including Girish Karnad, Ashish Vidayarthi, Manobala, Illavarasu, Rajalakshmi, M S Bhaskar, Mayilsamy, Karunas and many others.

There is a separate track for comedy but it does seem to blend with the film.

Music is by Ilayaraja. Late cinematographer Jeeva has done camera work for half of the film and it could be very well differentiated from that of the work by Srinivas Devasam who followed Jeeva.

The director could have concentrated more on the screenplay.

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It’s quite hard to classify the movie as an action thriller, in spite of the all the gripping moments in a rundown abandoned industrial estate, because the boys with their witticisms keep the laughter coming. Nevertheless, Saroja is an interesting adventure and a fun flick.

Ajay (Shiva) is a TV serial star engaged to Pooja (Kajal Agarwal). Ganesh (Premji) is a happy-go-lucky guy who is forever falling in love. Rambabu (Vaibhav) is the heartbroken romeo, who sacrificed his love for Pooja for the sake of his friend Ajay. Jagapathybabu (Sharan), Rambabu’s elder brother, is married and has a daughter. These four guys are friends and when they get together, it’s laughter all the way. Bags packed and booze in tow, the guys hit the road – they have tickets to a cricket match taking place in Hyderabad.

The guys are enjoying the road trip but fate plays spoilsport; midway to Hyderabad, they are caught in a traffic hold up. It will be hours before the traffic will clear, and the boys decide they may as well get back to Chennai, so they’ll at least have a chance to catch the match on TV. But Ajay has a brilliant idea. He takes a detour – a small, rugged path that barely qualifies as a road, calling it a ‘shortcut to Hyderabad’. By nightfall, the guys are lost and find themselves in the midst of a maze-like abandoned industrial estate.

Meanwhile, in Hyderabad, Saroja (Vega), a class Twelve student is kidnapped. Vishwanath (Prakashraj), her father, is trying to get her back from the kidnapper (Sampath), who has demanded a ransom of Rs. 20 crores. Helping him is his best friend, police officer Ravichandran (Jeyaram).

How do the four heroes get entangled with Saroja’s kidnapping? How do they disentangle themselves from the trouble? That is the rest of the story.

On the acting front, all have played their parts well. The young troopers have carried off their roles in a convincing manner. The band of boys combine realism with humour and keep us entertained; Prakashraj and Jeyaram have proved beyond doubt why they are called veteran actors; Kajal is charming; Vega is endearing; and Nikitha is absolutely hot!

Another big highlight is Yuvanshankar Raja’s music. The background score and the songs throb with energy. ‘Dosth Bada Dosth’ is a well-made song in terms of music as well as picturization.

Director Venkat Prabhu has done quite a commendable job once again. He has managed to make a movie that combines action with comedy, without diluting the seriousness of the plot. After a full-fledged fun movie such as Chennai 600028, Venkat Prabhu has notched up one that has quite a fair share of twists, turns and pulse-racing moments. Even so, the comic streak that made his directorial debut a runaway success is what keeps Saroja alive and entertaining.

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Mobile Numbers going to Change as 11 Digit in India




Get ready to change your mobile number



In 2003 Indian Telecom department had planned for 10 digit mobile numbering that would last for 30 years, but given the meteoric rise in the number of mobile subscribers, the quota seems to be over within 5 years. The growth in mobile subscribers has been nearly 100% year on year reaching 250 million by the end of last month.


The tele-density in the country is more than 25 per cent now, with the average monthly mobile growth at over 8 million. The government has set a target of 500 million phone subscribers by the year 2010.


To accommodate this growth, the DoT plans to introduce an additional prefix of 9 to every mobile number taking it to 11 digits. So, `99’ will be the first two digits in every mobile number, in the 11-digit regime.


TEC (Telecom Engineering Centre) has recommended a timeframe of six to nine months, for converting the existing 10-digit mobile numbers to the 11-digit format. The shift to 11-digit number will apply to all mobile users-GSM (global systems for mobile communications) and CDMA (code division multiple access), old and new subscribers.


Nine mobile operators were recently given over 120 telecom licenses to offer services across many circles. Currently, the established players offering mobile phone services include Bharti, Reliance Communications, Vodafone Essar, Idea Cellular, Tata Teleservices, Aircel-Maxis, Bharat Sanchar Nigam Ltd (BSNL), Mahanagar Telephone Nigam Ltd (MTNL) and Spice.


The new telecom operators will be allotted the spare levels of 90 and 91 in the 10-digit series. But, they too will have to migrate to 11 digits, by prefixing '9', in the same timeframe as the existing telecom companies


However, the fixed line phone numbers would continue to remain as is it is. While all GSM and CDMA subscribers whether old or new, would now have 11 digit numbers.


All the new telephone operators like Unitech, Shyam Telelink, Videocon among others would be alloted series of number starting with 90 and 91.


Apart from India, China and UK follow 11-digit numbers, while USA has a more integrated pattern of common numbering plan with similar numbers for mobile as well as landline numbers, much like Tata ‘Walky’ and Reliance ‘Hello’. via


The debate is still going on between the government and the regulators. But, industry sources say that India can add another 250 million mobile subscribers without having to move to the 11-digit format that is possible till 2010.


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A beautiful love story between two young people.

I liked this film a lot and people who want to see good romantic film (not like every Hollywood blockbuster) will be very happy and satisfied with this choice.

This film delivers to audience what it was supposed to deliver, a lot of emotions.

The director Todd Kessler did a fantastic job and I hope I will be hearing from him soon.

I've seen Elisabeth Harnois's performance in One tree hill and I understood that she is beautiful and talented actress but I didn't know she was so good. Jesse McCartney also was very good and I think this film introduced us with two great actors.


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Saturday, May 17, 2008

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Dasavatharam Movie Review



The film opens in the 12th century where Rangaraja Nambi (Kamal Hassan), a staunch Vaishnavite, opposes the removal of Lord Vishnu's idol by King Kulothunga Chozhan (Napoleon), who is a strong believer of Shiva. Nambi is punished and thrown into the deep sea tied to the idol. His wife Kothai (Asin) also kills herself. Then the story cuts to the US where Dr Govind (Kamal) discovers a deadly virus, which catches the attention of the government including President George Bush (Kamal). But his boss tries to sell the vial to the enemies and now it’s the turn of our hero to protect it from causing damage.


Dr Govind is pursued by a former CIA agent-turned-mercenary Keith Fletcher (Kamal) and his Tamil interpreter (Mallika Sherawat), who land up in Tamil Nadu. An array of other characters are drawn into the chase—Balram Naidu (Kamal), the Telugu speaking RAW chief, a Chinese martial arts teacher (Kamal) thirsting to take revenge on Fletcher, Vincent Poovarahan (Kamal) a Dalit activist , Krishnaveni Patti (Kamal), Khalifullah Khan (Kamal) and a Punjabi pop singer Avatar Singh(Kamal). Andal, a Brahmin girl, is also unwittingly drawn into a long chase. What follows is a cat and mouse game till the Tsunami climax.


It's actually hard to believe that in this age of experimentation within the commercial format, the director could think of such a moth-balled story. The earlier Kamal films in which he played dual or multiple roles, like Avvai Shanmukhi, Michael Madan Kamaraj and Indian, were far superior in style and content compared to his latest 10 avatars.


The trouble with the format is that far too many characters of the actor criss-cross without any reason—or they don’t make any difference to the story. It is obvious that characters like the Punjabi pop singer Avatar Singh, the tall Khalifullah Khan, the Japanese martial arts expert , etc., are unnecessarily stitched together to make it a perfect 10. The real crisis point in the film is nebulous. The film also coasts along at a doleful pace—185 minutes. Kamal’s prosthetic makeup, especially as George Bush, Fletcher and Khan, is a bit of a dampener. But Brian Jennings’ special effects, mainly of the climax Tsunami scene, are top class by Indian standards.


Himesh Reshammiya’s music is nothing much to talk about other than Kallai Mattum. But Devi Sri Prasad’s background score is superb and makes up for everything. Cinematographer Ravi Varman may take a bow, as his camerawork is glossy and superb. The big plus for watching the movie is the one-man acting school, Kamal Hassan. He pitches in yet another fantastic performance.


Among the 10 avataars, the pick of the lot is Naidu the bumbling cop, as the actor is able to bring out his impeccable sense of comic timing. Asin looks cute as the chirpy Andal, but beyond a point her character irritates you with her frequent Perumale.. calls.Her dubbing is top class and deserves special mention. Mallika, in a brief role sizzles. M.S.Bhaskar and napolean in small roles shines.


Yes, the film is hugely flawed, but it is still worth a look for its overall packaging and richness in production value.



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Director: Singeetam Srinivasa Rao

Producer: Vinod Suryadevara, Smita Maroo


Animations can be tricky. Evidently, because so few get the mix right—appealing to adults, regaling kids and offending neither. In Ghatothkach, Bheem and his demon wife Hidimba have a son Ghatothkach, who has the rare combination of strength and proficiency in the art of magic. When Kaurava Duryodhan learns that Ghatothkach is his future slayer, he decides to stop the problem at the root. The two comic-demons sent to kill him are not successful. While baby Ghatothkach slays one of them the, other cops-out and lies that he’s done the job. Which is not true, of course.


Little Ghattu, as his mother calls him, spends his days strolling in the forest and he makes friends with an adorable baby elephant Gajju, who follows him around to learn magic. Years later, when they’re grown up (Ghatothkach looking rather unappealing with a pot belly and bushy moustache, much like the cartoon character Obelix), Gajju is still funny because he continues to goof up his magic mantras and causes mayhem.



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An animated version of Tamil superstar Rajinikanth is set to wow fans in a 3-D film that features him in the role of an armour-clad warrior -- with a whole new set of his trademark mannerisms.


In "Sultan - The Warrior", directed by daughter Soundarya, Rajinikanth dons the persona of a swordsman with an uncanny resemblance to the 58-year-old actor.


"Thousands of years from now when you look up Indian entertainment history and you say animation, Rajinikanth will be the first man to (have) ever been animated," Soundarya said in an interview.


The animation film, slated for release in 12 languages by the end of 2008, is being promoted as a completely commercial venture and includes four song-and-dance sequences.


"It is a period film…on the lines of 'Troy' and 'Gladiator'…it is more of a war movie," the director said. "(But) It has everything a Rajinikanth commercial film needs in it".
Rajinikanth's unique acting style is characterised by a trademark gesture: toss a cigarette in the air, catch it in his lips, then light it with a match struck on a shirt sleeve.


In "Sultan - The Warrior", fans will get to see some new additions to his repository of popular mannerisms.









History of Britney Spears Life Full Article




Birth name : Britney Jean Spears
Born : December 2, 1981 (1981-12-02)
Origin : Kentwood, Louisiana, United States
Father: Jamie Spears
Mother: Lynne Spears
Genre(s) : Pop, dance
Years active : 1996 — present
Website : BritneySpears.com







She was the second of three children born to James Spears, a building contractor, and Lynn Bridges Spears, a schoolteacher.


She has an older brother named Bryan (born 1977) and a younger sister named Jamie Lynn (born 1990).


Her paternal ancestors, going several generations back, were all born in Mississippi. Learn more about her Southern roots in the 1930 US Census.


Britney's maternal grandmother, Lillian Woolmore Bridges, was born in England. She moved to the US after meeting, and later marrying, Barnett Bridges – an American soldier stationed in Britain.


Britney Jean Spears (born December 2, 1981) is an American pop singer, songwriter, dancer, actress, and author. She is best known for her studio albums, music videos, and songs such as "...Baby One More Time", "Oops!...I Did It Again", "I'm a Slave 4 U" and the Grammy Award-winning "Toxic"[1]. In the early 2000s, Spears's success as a singer led her way to high-profile advertising deals and endorsements, as well as forays into other forms of media, including film and reality television. Her third and fourth albums, Britney and In the Zone, were released during this era. In 2004, she married back-up dancer and aspiring rap artist Kevin Federline, and the following year she gave birth to their first son, Sean Preston. Their second son, Jayden James, was born in 2006. Spears filed for divorce from Federline on November 7, 2006 citing irreconcilable differences.[2] Spears has sold over 76 million albums worldwide according to TIME magazine.[3] The RIAA ranks Spears as the eighth best-selling female artist in American music history, having sold 31 million albums in the U.S.[4]

Britney Spears' life getting back on track


London, May 4 Troubled pop star Britney Spears, who for the past few years has been living a miserable life, seems to be turning around and things in general have improved for her.


Mirror.co.uk reports that Spears looks healthier and is determined to get her career back. She is seen working out at Bally Total Gym everyday, and her former manager said: 'She is in great shape. She could end up having the biggest comeback in history.'

Her new single seems to be fairly well placed on the charts and her latest album 'Blackout' has sold more than two million copies worldwide. Madonna also seems to be singing her praises, saying, 'I love Britney's new album. I work out to it.'

Things started turning around for spears when her parents flew in to look after her and along with her ex-manager Larry Rudolph took out a restraining order on her current manager Sam Lutfi - who's accused of manipulating the singer.

Britney Spears Disappoints Media with Possibly Bright Future


Britney Spears is returning to the CBS sitcom "How I Met Your Mother" tonight to reprise her role as Abby, a flaky office assistant.


In her first cameo, Britney’s character developed a crush on Ted (Josh Radnor, above), who then began dating her boss. In this episode, Abby tries to get back at Ted by hooking up with his friend Barney (the inimitable Neil Patrick Harris).


In spite of reportedly mixed reactions from some of her castmates, Britney’s first appearance was met with great reviews and 10.6 million viewers — a big jump from the show’s usual 8.1 million. Let’s see if people tune in again for her follow-up. The show’s producers seem confident that they will: they’ve apparently signed up the (cough) “embattled” pop star for a third appearance, next season.

Did you catch Britney’s TV comeback? Are you planning on tuning in again tonight?

Britney Spears needed father’s permission to return to her hometown.


It has been reported that Britney Spears needed to have her father’s permission to be able to return to her hometown. Britney went to Kentwood, Louisiana for Jamie Lynn’s baby shower and has had to ask her dad Jamie if she was allowed to make the trip. As we know at the moment Britney’s father Jamie is currently co-conservator of her estate which means that he has control of her business and personal affairs.


A friend of Britney said that "He has to give her permission to travel, and the money to do it. It’s not that he doesn’t want her there for her little sister. It’s just that he thinks it’s best to keep Britney close to home right now. "


Its said that Britney has not visited Kentwood for around 16 months and is said to be planning a second trip after she promised Jamie Lynn that she would be there for the birth of her baby which is due around the 29th June. According a source "At the baby shower, she told her little sister she wanted to be there for her the entire time. I’m not sure how Casey is going to feel about that. But Jamie Lynn seems pretty excited."


Let’s hope that Britney is heading on the right track now


Britney Spears Personal Marriage Life


Spears posed for her first major magazine publication, Rolling Stone in April 1999. Shot by photographer David LaChapelle, the photo shoot garnered much criticism for the controversial mixing of child-like innocence and adolescent sexuality. The cover featured her in a skimpy outfit lying on a bed. More controversy arose when Spears declared that &quot she would remain a virgin until marriage". This pledge has been questioned due to her apparently sexual relationship with fellow pop singer Justin Timberlake. In early 2002, Spears's four-year relationship with Timberlake ended. His 2002 song "Cry Me a River" and its music video, which featured an actress resembling Spears, caused speculation that Spears had been unfaithful; Timberlake, however, denied that his song was meant to portray her.


June 2002 saw the opening of Spears's restaurant, Nyla, in New York City, which served Louisianan and Italian cuisine.


However, she was pulled out of the business venture in November as a result of debts and management issues. Nyla officially closed in 2003. In the same year, Limp Bizkit frontman Fred Durst confirmed that he was in a relationship with Spears. Durst was also hired to help write and produce tracks for her album In the Zone, which were eventually scrapped.

Spears married childhood friend Jason Allen Alexander on January 3, 2004, at The Little White Wedding Chapel in Las Vegas.


The marriage lasted 55 hours, ending with an annulment stating that Spears "lacked understanding of her actions to the extent that she was incapable of agreeing to marriage because before entering into the marriage the Plaintiff and Defendant did not know each others' likes and dislikes, each others' desires to have or not have children, and each other's desires as to State of residency."

Months after her Las Vegas marriage, Spears embarked on "The Onyx Hotel Tour", which was canceled in June, after Spears injured her knee during the filming of the video for the single "Outrageous". She then became involved in the Kabbalah Centre in September 2004 through her friendship with Madonna. However, she publicly left the religion in 2006, stating on her website, "I no longer study Kaballah, my baby is my religion."


As a result of her fame, Spears's personal life has received much media attention. This only escalated after her marriage to Kevin Federline in 2004. She gave birth to her first child, Sean Preston, in 2005 and to her second child, Jayden James, in 2006. The couple's divorce in November of the same year was highly publicized, followed by an ongoing custody battle over their sons.



Pope voices his opposition to gay unions







Pope voices his opposition to gay unions



VATICAN CITY (AP) — Pope Benedict XVI is pressing his opposition to gay unions.He says traditional marriage is an irreplaceable good for the entire society, and calls the union between man and woman the "natural cradle" of life.


He told representatives of Catholic family organizations in Europe on Friday that traditional marriage should not be confused with other forms of union.


Several European countries have approved same-sex unions, and California's Supreme Court on Thursday said gay couples there can marry. Massachusetts is the only U.S. state to legalize gay marriage.

News from usatoday.com
----------------------------------------------------------------------------------------------
Pope Benedict today restated the Catholic Church's position that only unions between a man and a woman are moral.


The pontiff was speaking a day after a California court ruled in favour of same-sex marriage, although he made no mention of the that decision in his speech to family groups from throughout Europe.


But he stressed the Church's position several times.


"The union of love, based on matrimony between a man and a woman, which makes up the family, represents a good for all society that can not be substituted by, confused with, or compared to other types of unions," he said.


The Pope also spoke of the inalienable rights of the traditional family, "founded on matrimony between a man and a woman, to be the natural cradle of human life".


On Thursday, the California Supreme Court overturned a ban on same-sex marriages in a major victory for gay rights advocates that will allow homosexual couples to marry in the most populous US state.


The court found laws limiting marriage to heterosexual couples are at odds with rights guaranteed by the state's constitution.


President George W. Bush, who is opposed to gay marriage, prayed "for the family" with the Pope at the White House last month during the pontiff's visit there.


Last year, the Catholic Church successfully campaigned against an Italian law proposed by the previous centre-left government that would have given more rights to gay and unmarried couples.


The Catholic Church teaches that homosexuality is not sinful but homosexual acts are, and it is opposed to gays being allowed to adopt children.

News from Ireland.com



Friday, May 16, 2008

$1.4 trillion Indian ‘black’ money in Swiss banks




Despite condemning black money, non-resident Indians have only helped to increase it. According to Aman Agarwal, professor of finance at the Indian Institute of Finance, New Delhi, the total amount of black money globally is estimated between $2.1 and 2.5 trillion. This is roughly about seven percent of the world’s GDP.


Indians have stashed away - hold your breath - no less than $1.4 trillion in black money in Swiss banks, according to a Swiss Banking Report quoted by Naman Sood. Indians are trailed by Russians at $470 billion, Britons at $390 billion, Ukrainians at $100 billion and Chinese at $96 billion. This means that Indians have more black money than the four largest depositors that follow them.


Black money in India has been variously estimated by economists between five and 48 percent of the economy. Economist Shanker Acharya estimated it at 20 percent of the GDP while Arun Kumar put the figure at 40 percent. Who keeps their illegal cash abroad? Politicians, businessmen, babus and criminals. With the liberalisation of the foreign exchange rules, businessmen have fewer reasons to keep their ill gotten gains abroad.


"Let us bring back our money," says M.R. Venkatesh, an NRI in the US. "It is one of the biggest loots witnessed by mankind - the loot of the ’aam aadmi’ (common man) since 1947 by his brethren occupying public offices. What is even more depressing is that this ill-gotten wealth of ours has been stashed away abroad into secret bank accounts located in some of the world’s best known tax havens. And to that extent, the Indian economy has been stripped of its wealth."


But how have the NRIs contributed to increasing the quantum of black money? In an exclusive interview, Agarwal said Indian workers in Arab countries cannot transfer money back home due to local laws. So ’hawala’ is the only route -- by handing cash to local ’agents’ for delivery to their families in India. The other method is buying gold and bringing it to India. No wonder huge gold markets or ’souks’ have come up in these countries. Due to the bulk of gold for higher amounts, NRIs bring in diamonds.


NRIs in Eastern Africa faced tight exchange control regulations until mid-1990s so they sent their cash to Britain and the US as ’a lifeboat’. They deposited it in banks or purchased properties with this money. NRIs from Britain used the ’hawala’ route to send money to their families for a better exchange rate and less hassles with banks for their relatives.


Agarwal adds that some NRIs in the US transferred money by ’hawala’ 10 years ago after India’s nuclear tests at Pokhran because they feared that they may be pressurised to leave the US.


After 9/11, a new element of financing terrorist operations has crept in -- black money transfers, in addition to financing drugs. Terror groups are using ’wire money transfer’ channels and credit cards to send money for terror strikes in India. So the Indian government set up the Financial Intelligence Unit - India (FIU-IND) in 2004 for receiving, processing, analysing and disseminating information relating to suspect financial transactions.


All banks and finance companies are bound every month to inform FIU-IND about all cash transactions of over Rs.1 million and its equivalent in foreign currencies; all cash transactions below Rs.1 million and its equivalent in foreign currencies; all cash transactions in forged or counterfeit currency notes and all suspicious transactions.


This unit has unearthed an impressive number of underhand dealings as detailed in its annual report and has been granted more powers to track down more. Now Indian outlets of foreign wire transfer services and casinos have also been ordered to report their transactions every month.


Banks and finance companies now implement strict rules to identify everyone who operates or opens an account with them. This concept, ’Know Your Customer’, has been advocated by Agarwal for some time. He has also devised a CD-ROM Principle for India’s Black Money where C stands for pay Cash Carry Certificates; D for Delays, Deficiencies and Denial of certificate; and ROM for Rest on Mat as cases are never taken up and gather dust!


Comments Agarwal, "Unfortunately, the least respect for law and the maximum violation of law is the order of the day by some people in authority - as they are charged with the responsibility of enforcing laws on mafia groups, gangs, and/or nexus of the two. The former enjoys the constitutional security and the later is outside the framework of the law. A common man does not question either of them."

Both Indians and NRIs are partners in this crime.



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Star-casts: Vishal, Nayanthara, Upendra, Kota Srinivasa Rao, Ravi Kale, Prabhu Nepal, Sudha

Chandran and many others.

Banner: GK Film Corporation

Production: Vikram Krishna

Story, Screenplay and direction: A.Rajashekar

Music: Harris JayarajCinematography: R.D.Rajasekar

Satyam has been raising our expectations from a very long time and today you have the film hitting the screens all over the world. Well, we are delighted in bringing you the first exclusive review about the film with a clear picture of analysis. Commencing his directorial venture with an action-thriller, A.Rajashekar has roped in a theme that is so happening in today’s society. For as the story, it’s the same old police story that leading actors like Vijayakanth, Arjun, Kamal Haasan, Surya, Vikram and many others who have performed the role of cops who are there to strike down the baddies and cleansing the society.

Being an honest police officer, all throughout his career, Satyam (Vishal) is a person who doesn’t like killing down the rowdies under encounter orders. Valid reason lying beneath is that he believes in the fact that politicians treat gangsters as their henchmen in times when they need and bump them off when of no use. Avoiding encounters would perhaps get the culprits in the politics into the spotlight. The story moves on these lines for the first half accompanied by fun and frolic on the parallel lines where, Deiva (Nayanthara), a journalist residing in the apartments of Vishal goes dead against him. Of course, the children over there in apartments are opponents to Deiva and them Vishal as his gang leader. On the emotional lines, a deep affection is revealed between mother-son relationship and Sudha Chandran as Vishal’s mother does a beautiful job.

Things get screwed up when law minister Kondal Dasan (Kota Srinivasa Rao) hires his henchman Dilli (Ravi Kalle) to kill the other cabinet ministers since they are his greatest hurdles of becoming the next chief minister. But the mystery begins with the entry of Manickam (Upendra) who bumps off the cabinet ministers that Kondal actually wanted to kill. With Dilli, Kondal and his right hand Acharya (Prabhu Nepal) completely perplexed about the mysterious man, Vishal standing on the shoes a cop hunts for the assassin and traps him at a point only to find out the shocking truth. What is the truth all about and has both of the met earlier forms crux of the story?

Not breaking the formulas of clichés, Vishal follows the same trend of getting hero-worships, fast-beat folk songs, and unsuitable comedy tracks. However, this magical formula works well with the frontbenchers and Vishal fans. On the other hand, Nayanthara grabs the attention with her sultry looks, but she has nothing to do with the film. However, it’s Upendra who steals the show his stunning performance and the moment he appears on the screens, there is big hand of applause and continues throughout…

Kotta Srinivasa Rao, Prabhu Nepal and Ravi Kalle do justice to their roles.

R.D.Rajeshekar’s cinematography and Antony’s editing are completely disappointing but Thota Tharani lives up to the expectations with his spellbinding art direction for the songs. Harris Jayaraj on background score does sound good while couple of melodies is tuned well. Stun Shiva’s action choreography especially in the climax sequences are the stealing highlights in the film.

As a whole, Satyam is a commercial movie that can be watched once and you don’t get more than you expect. A typical Vishal film and it would be very nice if Director A.Rajashekar had avoided some of the noticeable flaws.

Getting on with plus and minus about the film, Upendra’s performance, Vishal’s typical looks of a cop, Thota Tharani’s set decoration. Well, on the negative traits, its about director beating the bush with same old story, Nayanthara’s character lacking finesse and Cinematography by R.D.Rajashekar and Editing by Antony.

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Movie: Sathyam

Cast: Vishal, Nayanthara, Upendra

Music: Harris Jayaraj

Direction: Rajasekhar


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Movie: Saroja

Cast: S.P.B. Charan, Siva, Kajal Agarwal, Premji Gangai Amaran, Vega, Prakash Raj, Jayaram

Banner: Amma Creations

Direction: Venkat Prabhu

Music: Yuvan Shankar Raja

Year: 2008

One ordinary day, four ordinary men, one extraordinary occurrence. This is the tagline of Saroja. A story packed into one day in the lives of four men, Tamil cinema rarely has attempts that are this different. But then, what else do you expect from the team that gave us Chennai 600028, not a run of the mill commercial mix. Saroja has been in the news ever since it was launched for all the right reasons, and if the movie even partially lives up to the expectations generated, we are surely in for a good time.

Most of the Chennai 28 team is back together for Saroja, headed by Venkat Prabhu carrying an enormous responsibility in only his second movie. The cast consists of Premgi Amaran, SPB Charan apart from a few experienced hands like Prakash Raj and Jayaram. Kajal Aggarwal, Nikitha and Vega play the female leads. The story connects four totally unrelated men who find themselves drawn into a mysterious murder. Random personalities being connected by one event, doesn’t that ring a bell- does it sound a bit like the randomness that Dasavatharam was made of? Well, there is randomness but it is not inspired from Dasavatharam, parallels have been drawn with the internationally acclaimed Babel where one story connects people in different continents. But Venkat Prabhu has categorically stated that there is nothing beyond the concept of one event and unrelated people that is common to Babel and Saroja. Saroja is completely original.

Yuvan has scored the music, and as always, he has done a good job. The interesting thing to watch out here is how the composer and director have worked together to make songs fit neatly into a script with such a short time span, a tough job even for veterans.

As we said earlier, Saroja has been in the news for a long time. Much of the credit for that goes to Chennai 28. But there are certain highlights like the huge traffic block scene that was shot at a high cost that belong entirely to Saroja. Memories of Chennai 28 have definitely helped Saroja gain attention. But, as Venkat Prabahu said, that apart from the team behind the movie, Saroja has no similarity to Chennai 28 and once the movie releases, it will have to stay on its own merits. And we are sure that the young team has ensured that.

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Movie: Dham Dhoom

Cast: Jayam Ravi, Lakshmi Rai

Director Jeeva, Aneez

Music Director : Harris Jayaraj

Producer : Raviraj D








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Movie: Dham Dhoom

Cast: Jayam Ravi,Lakshmi Rai

Director Jeeva, Aneez

Music Director : Harris Jayaraj

Producer : Raviraj D


After Director Jeeva’s untimely demise his last directorial venture Dham Dhoom, was left incomplete. But now, the film has been completed by his assistant Manikandan and is slated for release on August 15.

The Jeyam Ravi- Kangana Ranaut starrer has been shot extensively in Russia. Lakshmi Rai and Jayaram play important roles. Addressing the media, Manikandan said that the film was a tribute to his mentor Jeeva. The story revolves around Ravi’s character, who returns to india after completing his medical studies from Russia. When invited for a conference to Russia, an unexpected incident occurs, which turns his life upside-down. The rest of the film is about him bringing his life back on track.

Its an action-packed film. I did some risky stunts without using a body-double and I got trained udner Hollywood stunt choreographer Chris Anderson. Talking about his famous kissing scene with Lakshmi Rai he says, It is not a sensuous scene. According to the script, I fall short of breath in the altermath of a freak accident and she gives me a CPR (Mouth to Mouth Resuscitation). You’ll understand it when you see the film. Harris Jayaraj has composed music for the film.


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